Information

Content includes:
Hans Kuh – Posters from Japan
Richard Hiepe – Mythology and the Present Time. Drawings by Wilhelm Neufeld
Eberhard Hölscher – Wanted: a Gift-Package – Results of a package competition
Armin Eichholz – Royal Drama, Drawings by Paul Flora
Yurdaer Altintas – Turkish Commercial Artists
Liselotte Hansmann – Scandinavian Stone-Reliefs from the Iron Age
Eberhard Hölscher – Wuppertal Advertises
Ludwig Ebenhòh – Atypi – Standard-Rates for Book Typography

Details

Linked Information

Gebrauchsgraphik, 2, 1967
Gebrauchsgraphik, 2, 1967
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.