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Content includes:
Eberhard Hölscher: Pharmaceutical prospectuses by Claus Hansmann
Alexandre Alexandre: A humoristic pack of cards by Albert Dubout
Anton Sailer: Elegance placarded. Posters by Walter Schnackenberg
Remigius Netzer: The wood engraver Otto Rohse. Illustrations and featuring of books
Eberhard Hölscher: Exhibition posters by Danilo di Prete, Brazil
Ludwig Ebenhöh: Self-advertising of an american printing plant
Eberhard Hölscher: Advertising of the «Bayerische Motorenwerke» (Bavarian Motor Plants)
Anton Sailer: Drawings for the press by Herbert Pothorn
Carl Heußner: The young generation in Finland
Robert Henry: Art in show-windows

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Gebrauchsgraphik, 2, 1955 cover design by Richard Lindner
Gebrauchsgraphik, 2, 1955 cover design by Richard Lindner
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From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

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The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

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I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.