Information

Content includes:
Eberhard Hölscher: New ways of the German Federal Mail
Eberhard Hölscher: A point in question
Hans Kuh: An interesting catalogue
Eberhard Hölscher: The beauty of steel
Ludwig Ebenhöh: Newspaper posters by Eugen W. Max Härtl
Anton Sailer: Hiroshi Ohchi, a Japanese commercial artist
Eberhard Hölscher: Congratulatory cards 1952/1953. A retrospect
Franziska Meister: Commercial plastic art by Hannes Schulz-Tattenpach
Ludwig Ebenhöh: Ads in American newspapers
Eberhard Hölscher: Humorists warn
«Salto», a type of the type foundry Klingspor Brothers, Offenbach a. M.

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Linked Information

Gebrauchsgraphik, 02, 1953
Gebrauchsgraphik, 02, 1953
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

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The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

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I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.