Information

Content includes:
Hans Kuh – International Calendar Review, marginal remarks on the publicity calendar
Hans Kuh – New Posters of The Edition Olympia 1972
Alexandre Alexandre – \”Prisunic\”, a giant among department-stores and its Art Director Jacques Lavaux
Armin Eichholz – The ear drops from Biberach, illustrations by Horst Janssen
Helmut Lortz – Photos of race drivers by Rudolf René Gebhardt
Marietta Riederer – Fashion Graphic by Steven Stipelman
Walter Plata – Agency Advertising in East Africa
Theodor Hilten – Book jackets for the Büchergilde, Gutenberg, results of a contest

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Linked Information

Gebrauchsgraphik, 10, 1970
Gebrauchsgraphik, 10, 1970
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.