Information

Content includes:
Hans Kuh – Guy Peellaert · A Belgian Illustrator
Armin Eichholz – Realism is the Score · On the Record-Sleeves of the Philips-Twen-Series
Kurt Kranz – Applied Paper-Plastic
Remigius Netzer – Pictorial Illustrations · New Work by Joachim Braatz
Gerda Lerch – The MostBeautiful German Books of 1963
Pieter Brattinga – A Photo Report by Leonard Freed
Eberhard Hölscher – Praxis Aurea · Practical Advice for Young Physicians
Ludwig Ebenhöh – Hans Jürgen Spohn · Commercial Art in Berlin

Details

Linked Information

Gebrauchsgraphik, 10, 1964
Gebrauchsgraphik, 10, 1964

Gebrauchsgraphik, 10, 1964 Inner
Gebrauchsgraphik, 10, 1964 Inner

Gebrauchsgraphik, 10, 1964 Inner
Gebrauchsgraphik, 10, 1964 Inner
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.