Information

Content includes:
Günther Stiller. Book and advertising graphic art
Industrial graphic art by Ulrik Schramm
Thirty years of «Gebrauchsgraphik» (International Advertising Art). Covers from two decades
Gerd Hartung, Berlin. Graphic art in the service of fashion
Trade-marks and signets by Ernst Roch, Montreal
Press-illustrations by F. Medard Varsányi
Italy loves her old playing-cards
Lucienne Day. Textile and industrial design
«Akzidenz-Grotesk», a type of the firms Linotype GmbH and Type foundry H. Berthold AG, Berlin and Frankfort-on-Main

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Linked Information

Gebrauchsgraphik, 1, 1959. Cover design by Erik Nitsche
Gebrauchsgraphik, 1, 1959. Cover design by Erik Nitsche
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.