Information

Content includes:
Eberhard Hölscher – The Fischer Series of Pocketbooks. Book covers by W. D.Zimmermann
Alexandre Alexandre – Siné and his film advertising
Raimund Hrabak – Walter Ballmer, Milan. Industrial advertising
Peter Roth – Fashion in the oblong. The advertising of the fashion store Harvey-Nichols, London
Eberhard Hölscher – New picture wallpapers. Samples of the producer of wallpaper, Rasch & Co., Brothers, Bramsche near Osnabrück
Alexandre Alexandre – D. Langelaan & J.Cerf – the famous gag-team. Advertising of the Perrier firm,
Walter Keim – Monuments of art on paper. Triumphal baroque processions
Eberhard Hölscher – A series of industrial prospectuses by Tilla and Karl E. Fuchs, Stuttgart
Ludwig Ebenhöh – Lorenz Kraus, Schwabach near Nuremberg. Book- and press-illustrations
Max Körner – New posters for the Nuremberg Santa Claus Market
« Amalthea », a type of the Bauersche Gießerei, Frankfort-on-Main

Details

Linked Information

Gebrauchsgraphik, 1, 1958. Cover design by Eric Carle
Gebrauchsgraphik, 1, 1958. Cover design by Eric Carle

Gebrauchsgraphik, 1, 1958 - Walter Ballmer Inner
Gebrauchsgraphik, 1, 1958 – Walter Ballmer Inner

 

Gebrauchsgraphik, 1, 1958 - Walter Ballmer Inner
Gebrauchsgraphik, 1, 1958 – Walter Ballmer Inner
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.