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Content includes:
Projektionen
H. Wagenführ, Was die zukünftige
Gesellschaft vom Designer erwartet
O. W. Haseloff,
Wie werden wir wohnen ?
Der Büroarbeitsplatz von morgen
Produkte
OFF – für Leute, die arbeiten”
Büromöbel aus Italien
E. Frateili, Problemlösungen
aus dem Centro Stile Fiat
F. Seiffert, Long Design
für 120 m Filmen
Them Schraubendreher
Ausstellungen – Der Leichnam von Köln – 1. Deutsche Möbelmesse
Wettbewerbe – Gläser für König-Treue
Verbände Berufsbilder
H. Hartmann, Berufsständischer Föderalismus?
A. Stankowski, Struktur und Wandel de Grafik-Design-Berufes
form-Forum – P. Steinacker, Die Studenten schließen sich zusammen I. Krumrey, Design: Markt mit Zukunft?

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Form, Internationale Revue 45, March 1969. Designed by Karl Heinz Krug
Form, Internationale Revue 45, March 1969. Designed by Karl Heinz Krug
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

In 1964, Sugiura was commissioned by the magazine Design to design each of their twelve monthly cover designs. Creating a series of systems which set the foundations for the design.
Theo Häussler's commercial art is distinguished by its clear and disciplined form and its distinct advertising message.

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The Best Swiss Posters Award was an annual competition, judged by a Swiss Jury. They selected a range of posters, showcasing a range of poster styles from completely typographic designs such as the work of Robert Büchler, to the illustrated posters of Donald Brun.

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The advertising agency played a crucial role in shaping consumer culture by acting as a bridge between businesses and the media and was stated to have started in the mid-19th century.