Design, Council of Industrial Design, 228, December 1967

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Content includes:
Leader: All things more or less bright and beautiful
Flames without a fire by Hilary Haywood
Design in the Soviet Union by Frank Height
Craftsmen in modern jewellery by Tarby Davenport
Illustrating children’s books by James Boswell
Systematic methods in environmental design by Peter Levin
Olivetti in Paris
Pye’s television equipment for the 1970s by John Benson
CEI-Raymond Loewy: American vigour, French flair
Products, interiors, events, ideas

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Design, Council of Industrial Design, 228, December 1967. Cover design by Stephen Dwoskin
Design, Council of Industrial Design, 228, December 1967. Cover design by Stephen Dwoskin
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Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

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The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

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I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.