Design, Council of Industrial Design, 226, October 1967

Information

Content includes:
Leader: Which way for Which ?
Value for money by Hilary Haywood
Furniture for the secondary school by Gillian Naylor
Finland reaches her fifty, a special feature on Finnish design to celebrate the 50th anniversary of the founding of Finland
National influences by Margaret Duckett
Student centre in Helsinki by George Bryant
Scandinavian with a difference by Peter Hatch
On from Habitat by Moshe Safdie
Testing car design for safety
The pottery of Lucie Rie by Tarby Davenport
Products, interiors, events, ideas

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Design, Council of Industrial Design, 226, October 1967
Design, Council of Industrial Design, 226, October 1967
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Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

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The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

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I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.