Design, Council of Industrial Design, 223, July 1967

Information

Content includes:
Leader: Educationists on the tight-rope
By rail to the future by Richard Carr
Red letter days for the Post Office by David Wainwright
Psychology and design by Brian Wells
The safe design of guillotines by Anthony Smallhorn
Basil de Ferranti (Eton and Swedish General Electric) by David Wainwright
A shop extension at Sutton
Nine-piece steel kit for family living
Do-it-yourself dinghy by Graham Watts
Products, interiors, events, ideas

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Linked Information

Design, Council of Industrial Design, 223, July 1967. Cover design by Steve Dwoskin
Design, Council of Industrial Design, 223, July 1967. Cover design by Stephen Dwoskin
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Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

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The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

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I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.