Commercial Art Vol 8, No 47, May 1930

Information

Content includes:
British Advertising at the Monza Exhibition: Commercial Art organises the great display
-And now- Modern copy – Commercial Art and the Revolution of the Word By G. H. Saxon Mills
Nectar -the porter-a new and successful character in the romance of publicity By Marcel Valotaire
Making Friends for the Hotel By Clifford Whitley
Advertising the Telephone in America By Edwin J. Stiger
The Hoarding of To-day By Cyril Sheldon
The C.A. Chronicle: Recent Productions, Views, Notes, etc.
W. S. Crawford Lid. Framed Exhibit of Booklets to be shown at the Monza Exhibition
Rex Whistler. Poster. London Museum
Victor Hicks. Booklet Cover. London from Aloft
K. Burrell of the Clement Dane Studio. Poster. Orient Line Cruises

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Linked Information

Commercial Art and Industry Vol 8, No 47, May 1930
Commercial Art and Industry Vol 8, No 47, May 1930
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Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

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The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

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I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.