Commercial Art Vol 2, No 16, February 1924

Information

Content includes:
Signs Of The Times
The Selling Shop Front
The Art Of The Note Heading
The Technique Of Lay-Out
Aldo Cosomati
Packings And Wrappings
The Shipping Poster
Window Displays For Manufacturers
Booklet Reviews
Livening Up The Likeness
Calendars For 1924
Reproduction Methods
Printing Machines

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Commercial Art Vol 2, No 16, February 1924
Commercial Art Vol 2, No 16, February 1924
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Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

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The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

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I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.